James Eugene Carrey was born on January 17, 1962, in Newmarket, Ontario, Canada, the youngest of four children of Percy Carrey, a musician and accountant, and Kathleen Oram. His father's job loss when Jim was twelve precipitated a family crisis: they lived out of a VW camper van and worked as janitors and security guards. Jim dropped out of school at sixteen to help the family financially, working in a factory. This period of genuine hardship gave him the specific understanding of desperation that powered his comedy: the knowledge that laughter is not entertainment but survival, that the ability to make people laugh is something closer to a necessity.
Carrey drove from Toronto to Los Angeles with $40 in his pocket and began performing stand-up comedy. Early in his career, he wrote himself a check for $10 million for 'Acting Services Rendered,' postdated it for Thanksgiving 1995, and kept it in his wallet. In 1994, he earned exactly that for Dumb and Dumber — one of the most remarkable cases of conscious manifestation in Hollywood history. His breakthroughs came simultaneously in 1994: Ace Ventura, The Mask, and Dumb and Dumber all released within months of each other, making him the most bankable comedy star in Hollywood virtually overnight.
Carrey's dramatic ambitions emerged almost immediately. The Truman Show (1998), in which he played a man who discovers his entire life has been a television show, was a revelation — a performance of extraordinary subtlety and genuine pathos from the performer most associated with extreme physical expressiveness. Eternal Sunshine of the Spotless Mind (2004) remains perhaps his finest work: a performance of heartbreak and memory so contained and real that viewers who knew only his comedies were genuinely surprised by its depth. Man on the Moon (1999), in which he played Andy Kaufman with such total immersion that he famously never broke character on set, demonstrated the extreme end of his commitment.
Carrey's ENFP nature is the engine of both his extraordinary creative gifts and his extensive public discussions of his search for meaning and peace. ENFPs experience the world with unusual intensity, and Carrey has spoken with candor about his depression, his spiritual searching, and the question of what lies beneath the performed self. His philosophical explorations — the speeches, the interviews about the nature of identity — are the ENFP's characteristic attempt to understand their own inner complexity. The Truman Show question — 'Was nothing real?' — is the ENFP's deepest anxiety expressed as cinema: the fear that the performance of self has replaced the actual self, and the longing to find out what is genuine beneath all the layers.
